Carolina Herrera · Murex d’Or 2026
Razane Jammal in Carolina Herrera Red at the Murex d’Or
For the Murex d’Or 2026 Awards, Razane Jammal reached for a single, uncompromising colour. The Lebanese-British actress wore a red gown from Carolina Herrera’s Spring 2026 collection by Wes Gordon, the kind of look that needs no accessory to argue its case.
The Look
One Colour, Head to Hem
A scoop neckline, twin cut-outs at the waist and a long column skirt, cut close and finished with a soft sweep at the floor. The red runs unbroken from the gown to the heels and a small rounded clutch.
The Cut
Restraint as the Statement
There is very little to the dress on paper, a clean bodice, a pair of waist openings, a floor-length line, and that is exactly the point. Wes Gordon has spent his tenure at Carolina Herrera arguing for colour and precision over embellishment, and this gown reads as a distilled version of that idea.
Against the warm panelling and terracotta tiles of the setting, the red does all the work, holding the frame without a single competing detail.
On the Night
A Red-Carpet Register
The Murex d’Or is one of Lebanon’s longest-running entertainment awards, and it draws a certain kind of dressing. Jammal answered it with old-school glamour rather than spectacle, letting the silhouette carry the evening.
The Detail
Tonal, to the Last Piece
Even the accessories stay in key, a compact clutch and fine jewellery in the same register, so nothing pulls the eye away from the line of the dress.
For Boujeez
A red gown is the oldest move on a red carpet, which is precisely why it is so hard to get right. The ones that land are never the loudest, they are the most edited, a single colour and a clean line trusted to carry the whole look. Jammal’s choice is a reminder that on the best-dressed nights, restraint reads as the greater luxury.
Imagery courtesy of Carolina Herrera.